Akintomide Akinshola

Beyond the most cited art history titles, a growing body of books is redefining how Black and African art is studied, collected, and understood. From curatorial essays to critical theory, these texts offer deeper insight into artistic practice, cultural memory, and the global art market.

Across Africa, a new generation of museums is redefining how contemporary art is presented, preserved, and experienced. From Morocco to Mozambique, these institutions are building cultural infrastructure and shaping the future of African artistic narratives.

The Investec Cape Town Art Fair reaffirmed its role as Africa’s most influential art platform. This Is Not A White Cube showcased Osvaldo Ferreira and Sanjo Lawal—artists positioned within a rapidly strengthening continental ecosystem.

African artists are achieving record-breaking sales at auctions and gaining institutional recognition. Yet at major global art fairs, representation remains disproportionately low. This article explores the structural reasons behind the visibility gap—and what must change.

Across Africa and its diaspora, artists are transforming the archive into a site of resistance. By reconstructing erased histories and challenging colonial records, they are turning memory into power—and art into a political act.

African art is reaching unprecedented prices at global auctions, but behind the headlines lies a more complex reality. This article examines who truly benefits when African artworks sell for millions—and whether these moments translate into long-term value for artists, communities, and the continent itself.

Across Africa, artists are transforming visual culture into a language of resistance. From street art born in protest to museum works that archive erased histories, this article explores how African art speaks through protest, memory, and power—and why it matters now more than ever.

In the conversation around African contemporary art, artists and curators often take centre stage. But behind the scenes, a quieter force is steadily reshaping the landscape: Black collectors. No longer passive observers or late-stage buyers, they are influencing markets, museums, and the very narratives that define what—and who—is considered valuable in the art world.