Eghosa Akenbor

Nigeria

Eghosa Raymond Akenbor Mixed Media Artworks

Recycled Fine Art Exploring Memory and Identity

Textured Abstract Expressionism in Contemporary Art

"With a juxtaposition of colours and found objects I try to make my canvases full of interesting and unique stories that aim to evoke a wide range of feelings in the viewer. "

MEET

Eghosa Akenbor

Eghosa Raymond Akenbor (b. 1982, Nigeria) is a contemporary Nigerian mixed media artist whose bold, textured works explore colour, shape, and recycled material as vehicles of emotion and cultural memory. Based in Benin City, he transforms found objects and scrap materials into dynamic compositions that embody the vibrancy of African life and the radiance of the African sun.

Initially trained in Microbiology at the University of Benin, Eghosa later embraced his artistic calling and completed both National and Higher National Diplomas in Painting and General Art at Auchi Polytechnic, followed by a Postgraduate Diploma in Education. His academic and creative background bridges the analytical with the intuitive, making his practice both deliberate and deeply expressive.

Akenbor’s canvases are filled with layered textures, fragmented shapes, and narrative abstraction. His art reflects a raw, yet poetic energy, merging African expressionism with the urgency of environmental consciousness. Drawing on urban landscapes, historical memory, and the hidden beauty in everyday materials, he creates mixed media artworks that evoke both emotion and contemplation.

As a visual artist and art educator, Eghosa also teaches Creative Art in Benin City and actively shares his process and insights through writing and blogging. His artistic philosophy is rooted in the belief that recycled art can restore meaning and that contemporary African art must challenge and inspire in equal measure.

Eghosa’s work has been featured in leading international exhibitions and art fairs, including Spectrum Miami, Castel dell'Ovo (Italy), Lugano (Switzerland), London, and Brazil, and in respected publications such as Average Art Magazine UK, Wotisart, and Pomona Valley Review.

With a global footprint and a deep connection to his cultural roots, Eghosa Akenbor is part of a powerful wave of African artists redefining global contemporary art through innovation, storytelling, and creative reuse.

FROM OUR BLOGUE
The Canon Was Never Neutral

This article explores how the Western art canon historically marginalized African contributions and uses the legendary Ibrahim El-Salahi as a prime example of an artist who broke through these barriers. It emphasizes that the current "Global Renaissance" of African art is not about joining the old system, but about creating a more honest and inclusive one.

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The Aesthetic Of Protest - When Art Speaks Louder Than Violence

When African and diaspora artists enter the streets — or the studio — they do not illustrate violence. They answer it.

This essay traces the aesthetic of protest across the continent and the diaspora: from Lagos murals to Sudanese modernism, from apartheid-era portraiture to the visual language of #EndSARS. How colour becomes weapon. How the body refuses abstraction. How the image that outlasts the headline is the only form of protest the state cannot eventually silence.

Art does not document the wound. It becomes the scar. And a scar, unlike a wound, is something you live with.

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The Memory Is Political

In contemporary African art, memory is not theme — it is structure. The scaffold on which entire aesthetic systems are built.

Territory, heritage and identity are not backdrop. They are the argument. And the most urgent work being made today refuses two traps simultaneously: the nostalgia of cultural retreat, and the legibility demanded by international markets.

To collect this work seriously is to accept that the image is never only itself.

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