Robert Osei Anim

"I approach each piece as a journey, immersing myself in the process of creation. My work begins with a spark of inspiration, often drawn from the vibrant cultural tapestry of my homeland, Ghana. From there, I delve into exploring the interplay of color, form, and texture. "

MEET

Robert Osei Anim

Robert Osei Anim (b. October 1983, Ghana) is a renowned Ghanaian fine art painter whose career spans over 25 years of powerful visual storytelling. A graduate of the Ankle College of Art and the Ghanatta College of Art and Design, Robert is celebrated for his evocative compositions, masterful use of color, and emotionally charged imagery. In addition to his artistic achievements, he holds an LLB from Kings University Ghana, reflecting a multidisciplinary intellect that informs the conceptual depth of his work.

Robert’s practice bridges traditional and contemporary techniques, often exploring themes of identity, resilience, and the African experience. His artworks have been featured in numerous international exhibitions across Europe, Africa, and South America, earning him widespread acclaim and multiple awards.

With each canvas, Robert Osei Anim continues to push the boundaries of figurative painting in Africa, shaping conversations around culture, memory, and form. As both a visionary artist and cultural ambassador, he remains a vital force in the evolution of contemporary African art.

FROM OUR BLOGUE

The Global Rise of Contemporary African Art: Growth, Markets, and Cultural Impact

Between 2013 and 2023, global sales of African contemporary art soared by 46%, peaking at $101 million in 2021. Today, the market is approaching $1.5 billion, buoyed by digital platforms, art fairs, and increased visibility of women artists—who now represent over 50% of global auction sales for African art.

Forbes Honours António Mota with Afrikanizm Artwork by Paulo Formiga

During the Doing Business Angola event, Forbes África Lusófona honoured businessman António Mota with Curiosity, a unique painting by artist Paulo Formiga, commissioned by Afrikanizm Art. The piece, handed to his son Manuel Mota in his absence, is a symbol of resilience, curiosity and Mota’s decades-long connection to Angola.

Mario Moore’s Oil Portraits Reclaim Black History and Resilience

Featured in Colossal on June 4, 2025, Mario Moore’s bold new oil paintings weave Black subjects into Flemish-style devotional imagery. With works like “Pillars” and “Watermelon Man,” Moore spotlights resilience, self-determination, and land legacy, fueled by his personal, historical connections.

Rediscoveries Redefining Black Art History

A fresh wave of scholarship and exhibition is reclaiming overlooked Black artists and sitters—from a 17th-century portrait in England to mid-20th-century Nigerian modernism—revealing gaps in European collections and challenging Eurocentric art history.

Essential Reads: A Curated Guide to Contemporary African Art Publications

This article highlights essential readings—books, exhibition catalogues, and journals—that are indispensable for collectors, scholars, and art lovers interested in contemporary African art. From foundational texts to new voices, this guide celebrates African creativity in all its diversity.

The Met’s Reimagined African Art Galleries: A Celebration of Sub-Saharan Creativity

The Metropolitan Museum of Art's Michael C. Rockefeller Wing reopens on May 31, 2025, featuring newly reimagined African Art galleries. The exhibition presents over 500 works, including new acquisitions and contemporary pieces, offering visitors an enriched perspective on sub-Saharan African artistic traditions.

“In Minor Keys”: The 2026 Venice Biennale as a Tribute to Koyo Kouoh’s Vision

Following the sudden passing of curator Koyo Kouoh, the 2026 Venice Biennale will honour her legacy by presenting “In Minor Keys,” an exhibition that reflects her commitment to nuanced narratives and the sensate in contemporary art.

Adornment as Identity: African Wearables at the Philadelphia Museum of Art

"Head to Toe," on view until January 19, 2026, at the Philadelphia Museum of Art, presents a curated selection of African wearable art from the Ira and Myrna Brind Collection. The exhibition delves into the materials, craftsmanship, and cultural meanings of adornments from various African communities.

View All