Angola

António Ole
Angola

€29.865,00

Painting, Acrylic on Canvas

Size: 170 W x 140 H cm / 66.93 W x 55.12 H in

Ships in a tube 

About The Artwork

Originally created: 1986
Subject: Duality, Body, Symbolic, Movement
Material: Canvas
Medium: Acrylic
Styles: Neo-Expressionism, Symbolism, Figurative, Pattern Art, Folk

Details & Dimensions

Painting: Acrylic on Canvas
Original: One-of-a-kind Artwork
Size: 170 W x 140 H cm
Frame: Not Framed
Ready to Hang: Not applicable
Packaging: Ships in a tube

Shipping & Returns

Delivery Time: Typically 5-7 business days for domestic shipments, 10-14 business days for international shipments.

Returns: 14-day return policy. Visit our help section for more information.

Handling: Ships in a tube. Artists are responsible for packaging and adhering to Afrikanizm Art’s packaging guidelines.

Ships From: Portugal

Customs: Shipments from Portugal may experience delays due to country's regulations for exporting valuable artworks.

Have additional questions?

Please visit our help section or contact us.

Angola is a landmark contemporary African acrylic painting by António Ole. With bold composition, layered textures, and a masterful interplay of colour, the work captures the nation’s spirit, cultural heritage, and dynamic identity.

Perfect for collectors seeking authentic African art, Angola is shipped worldwide in secure, museum-quality packaging and includes a Certificate of Authenticity, ready to bring historical significance, visual impact, and cultural resonance to any collection.


António Ole

ABOUT THE ARTIST

António Ole

António Ole (b. 1951, Luanda) is one of the most significant figures in contemporary Angolan art. Working across installation, painting, sculpture, photography, and film, his practice reflects on the complexities of Angola’s colonial past, post-independence struggles, and urban transformation.

With a background in cinema and African-American culture from UCLA, Ole creates visual narratives that blend poetic reflection with political urgency. His use of found materials — drawn from Luanda’s musseques and everyday urban debris — gives form to structures of memory, resilience, and reconstruction.

Resisting fixed categories, his work moves between abstraction and figuration, ruin and renewal. For Ole, art is a space where the marginal becomes central — where fragments are reassembled into new forms of meaning, presence, and possibility.

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