Fidèle Kabre

Burkina Faso

"Fidèle G Kabré's paintings thus raise the question of the importance of the hands in human life, following the example of Paul Valery who already in 1922 thought that "the in-depth study of the human hand is a thousand times more interesting than that of the brain"."

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Fidèle Kabre

Fidèle Gaétan Kabré (b. 1982, Kombissiri, Burkina Faso) is a Burkinabe painter and designer whose artistic language fuses memory, gesture, and poetic abstraction. A multidisciplinary visual artist, Kabré works across drawing, calligraphy, and oil and acrylic painting, developing a unique voice in the contemporary African art scene since beginning his professional career in 2012.

His artistic shift occurred during a pivotal workshop centred on shadow and light, which awakened a deeper, more symbolic exploration of the human form — especially faces and hands. Kabré's paintings are acts of remembrance: they reach into the subconscious to retrieve fragments of lost time, reanimating people, gestures, and emotions that linger at the edges of memory.

With no preliminary sketches, his process is intuitive and dreamlike — a return to the territory of childhood and reverie. His works evoke a primal emotional clarity, inviting the viewer to encounter the familiar in a new, poetic form.

Kabré places particular emphasis on the hand as a site of intelligence and emotion, echoing thinkers like Paul Valéry and Kant. In his canvases, hands seem to operate with an autonomy of thought, becoming vessels of action, expression, and memory — perhaps even bearing what he calls “an external brain.”

Through his contemporary figurative works, Fidèle Gaétan Kabré positions himself among the new generation of African artists reclaiming ancestral identity and exploring embodied memory through a bold and reflective visual practice.

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