Onyis Martin

Kenya

"My work centres on contemporary urban environments and how these spaces are shaped by the politics of ownership and access, movement and displacement, and how they contain some form of collective memory."

MEET

Onyis Martin

Onyis Martin (b. 1987, Kenya) is a Nairobi-based contemporary artist working across painting, sculpture, installation, and more recently, video art. Deeply engaged with the politics of urban life, migration, ownership, and memory, Martin’s practice examines how contemporary cities shape — and are shaped by — displacement, restricted movement, and collective trauma.

After leaving Aquinas Secondary School in 2006, Martin trained at Mukuru Art and Craft Centre, Nairobi, graduating in 2010. He also holds training in neurolinguistic programming and family constellation therapy, an influence that subtly informs the psychological dimensions of his work.

His mixed-media artworks and installations often incorporate repurposed materials, visual codes, and layered textures that mimic the complexities of informal cityscapes. Through this aesthetic, Martin offers poignant reflections on the fragility and resilience of marginalised communities navigating rapid urban transformation.

Martin has exhibited widely across Africa and internationally, including:

Zeitz MOCAA, Cape Town (2019) – Still Tomorrow to High Five You Yesterday

ABSA Gallery, Johannesburg (2018)

Kerry Packer Civic Gallery, Adelaide, Australia (2018)

Residencies: Bag Factory (South Africa, 2017), Asiko Art School (2016), The Factory Lamu (2016), Ostrale (Germany, 2015)

In 2017, he won First Prize for Merit at the prestigious ABSA L’Atelier Award, cementing his position as a rising voice in African contemporary art.

Martin’s work continues to resonate globally as he blends personal memory, socio-political critique, and layered visual language to question who controls space, movement, and meaning in the modern African city.

FROM OUR BLOGUE
From Lagos to Luanda: Who’s Really Investing in African Culture? — The Countries Quietly Leading the New Global Cultural Economy

African culture and contemporary art are no longer peripheral. From Nigeria’s bustling Lagos scene to Angola’s growing creative infrastructure, several countries on the continent — together with regional and international partners — are investing in culture as a strategic economic and diplomatic asset. This article explores where this cultural momentum is concentrated and why it matters for artists, collectors and creative economies in 2026.

Continue Reading
Why Now? Why Black Art? — How African Contemporary Art Became the New Language of Global Power

African contemporary art has exploded onto the global stage — not as a fleeting trend, but as a fundamental shift in how artistic value, cultural power and visual narratives are defined. Driven by market expansion, institutional interest, new platforms, and a growing generation of Black and African diasporic voices, this moment marks a re‑acceleration of recognition, influence and economic relevance.

Continue Reading

Commision An Artwork
By This Artist

We can arrange and oversee the creation of a new work made specifically for you