"Through a poetic manipulation of found imagery, Alida questions how history is constructed, recorded, and often selectively erased. Her practice delves into the “history of forgetting,” exposing the ways in which images, names, and narratives are lost, altered, or silenced over time. By reassembling visual fragments, she reflects on the power and vulnerability of the image in both personal and collective memory.
Positioned within a broader movement of rethinking African historiography, her work offers counter-narratives that challenge cultural erasure and open space for reflection, remembrance, and reimagination."