Maryam El Sayed Bakry

Abidjan is experiencing a vibrant artistic renaissance, fuelled by new galleries, residencies and state funding. A “new wave” of artists — from Carl-Edouard Keïta’s revival of Goumbé traditions to Mimi Brignon’s urban collages, Adjoba Marie’s surrealist self-portraits, Massa-Chula’s powerful mask reinterpretations, and Angelo N’Guessan’s street murals — is reshaping Ivory Coast’s cultural identity. Together, they place Abidjan at the forefront of Contemporary African Art and the global conversation on Black Art.

At the heart of Dakar, a quiet but radical transformation is underway. Dr El Hadji Malick Ndiaye, curator of the Théodore Monod Museum of African Art, is leading a profound effort to decolonise an institution built for colonisers. Through critical reinterpretation, artistic collaboration, and cultural activism, he is reframing the museum not as a place of frozen pasts, but as a living, breathing space of African knowledge, pride, and imagination.

In an op-ed for Forbes África Lusófona, João Boavida, founder of Afrikanizm Art, lays out a bold new vision for African art. He argues that the future lies not in charity, but in structure, visibility, and fair opportunity. Through a model grounded in equity, mentorship, and sustainable growth, Afrikanizm Art is helping transform African artists from overlooked talents into central players in the global market.

Crafting Sanctuaries spotlights rarely seen FSA photos of Black Southern life during the Great Depression—homes, churches, barbershops become sanctuaries.

The Getty Foundation has awarded $2.6 million to expand its Black Visual Arts Archives initiative, empowering 12 U.S. institutions—libraries, museums, and universities—to catalogue, digitise, and bring Black art histories into public view. This multi-year commitment spotlights previously overlooked collections, transforming archives into dynamic cultural touchpoints and promoting long-overdue visibility for Black artists and institutions.

Now open at ZuCot Gallery, Dear Black People… A Love Letter is a bold and poetic journey through the Black American experience. With over 95% of works by artists of African descent, the show reframes visual storytelling as time travel — blending memory, identity and joy.
From glowing watermelons to shimmering histories, this exhibition pulses with creativity, community and cultural pride.

How Black Art Defined the Essence Festival’s Identity

Discover how Black art has shaped the Essence Festival’s visual history—turning every poster into a living archive since 1995.

Alicia Keys and Swizz Beatz have built a world-class collection focused on African and Black diasporic artists, supporting both established and emerging creators. Through exhibitions, acquisitions, philanthropy, and cultural dialogue, they elevate representation, empower artists, and enrich global appreciation of African artistic heritage.