This project looks at how many so-called cultural manifestations have been used as a tool for building a national identity, while at the same time these manifestations have been influenced by colonial rule.
Many of the practices considered traditional have absorbed much of the colonial heritage, which is reflected to this day.
Luanda's carnival, which was once considered Angola's biggest cultural event, was not exempt from this. From the costumes to the symbols of royalty, you can see how strong the colonial influence was, while at the same time reflecting how practices used to reflect on national identity were homogenised with colonial rule. In the same way, he has always seen Luanda's carnival as a tool of protest for a conservative society, free from political issues of gender and race, the only day where one could be, or criticise without being criticised.
Originally Created: 2019
Subject: Political
Material: Paper
Medium: Photography
Style: Conceptual and Documentary
